The Performances: As stated at the beginning of this summary, I think that rap comes easy for Kodak Black, and it shows in Kutthroat Bill: Vol. Unfortunately, they don’t quite move the album’s needle. I thought each person did a good job of establishing their brands on the songs they were on. Guest Appearances: Interestingly, this album features only up-and-coming artists Lil Crix, VVSNCE, NFL Tuewop, and Prince Swanny. In other words, pay most of your attention to Kodak. The good news is that Kodak knows how to make his beefs come alive with appealing rap styles. Production: I don’t quite love the beats on Kutthroat Bill: Vol. 1, you get an effortless but solid performance out of Kodak. I truly feel like rapping is easy for him. I’ve said it before, and I’ll say it again: I think that Kodak Black is one of the best young rappers in the game right now. All in all, I really enjoy how this song flows. As for lyrically, he switches between sounding like someone that loves and hates being a certified street fella with emotions. Kodak Black shifts between a bunch of different styles in “Freezing My Pinky.” He starts the song off sounding unenthusiastic, but as it goes on, he turns up his passion both rapping and singing-wise. Freezing My Pinky Appropiately, “Freezing My Pinky” is one of the coldest tracks on this project. As for lyrically, you have to respect how he doubles down on being a cold-hearted/violent flexer in the song.ġ. Not only do I f**k with the song’s dark/mobbish beat, but I also like how Kodak slides on it, riding it like someone that knows how to straghten a car out after doing a dangerous swerve. Walk Scarface would be very proud of “Walk.” Game From Pluto I’m officially convinced that more dudes look up to Future than Russell Wilson…ĭo you know what video I watched a couple of times last week? The one in which Kodak Black asked Future about a suspect lyric he said in “Low Life.” How ironic that I would hear a song in which Kodak pays homage to Future today.Īside from the dope words dedicated to Future, “Game From Pluto” also features a hypnotizing trap beat, lyrics all of the playas of the world will love, and very steady rap flows.Ģ. The main reason I f**k with this song is because I like how the chill beat merges with Kodak’s gritty melodic raps.ģ. Though Kodak does rap about the convos he has had with his chick, he eventually goes off the rails and talks about shooting up his enemies, dripping his ass off, and wanting relationships with Plies and Boosie. That’s where the similarities betwen the two songs stop. The beat that powers “Hop Out Shoot” gives me “How’s It Goin’ Down” by DMX vibes. Hop Out Shoot “Hop Out Shoot” is a gremlin love song. My only issue is this: I needed him to say Celine at least once.Ĥ. With that being said, I don’t mind his singing in “I Can’t Sleep.” Not only does it fit his sly/effortlessly gangsta lyrical content, but it pairs nicely with the song’s smooth beat and his raw raps. I usually don’t love it when Kodak Black sings on tracks. I Can’t Sleep Kodak Black uses his awful singing voice to his advantage in “I Can’t Sleep.” More than anything, this song sounds like a very unorganized freestyle.ĥ. As for lyrically, in his verses, Kodak calls out his opps, shouts out Gucci Mane, and brags his ass off. Kodak Black slices the beat-up using a sluggish style that will make you wonder what’s in his cup. “I’m So Awesome” is powered by this violin-heavy beat that will make you think that someone died. I’m So Awesome “I’m So Awesome” is one of those songs you aren’t supposed to like, but you do. Kodak Black gets his gremlin on in “Kutthroat Bill: Vol.
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